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At the Beach

from Into the Peace by featuring Mike Mills

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lyrics

Boys just dig holes in the sand
At the beach by the waterside
I don't know what it's like to be a man
And peer into the kill (into the kill, into the kill)
Out of the black into the blue
You dip your feet into the cool

Looks like a castle in the sand
If only fathers would stick around
But I don't know what it's like to be a man
I don't know what it's like to be a man.

I said we could kiss forever
But I might go insane with pleasure he said
What are you doing to me girl?
But I wasn't doing anything at all I really wasn't you see
Hell, I'm just here inhabiting the holes
That you dig and dig so you can feel better

Looks like a castle in the sand
If only fathers would stick around
But I don't know what it's like to be a man
I don't know what it's like to be a man

If I were the same you might be frightened less
And if you came body and soul
Back into the blue back into the whole
Well I wouldn't feel so overwhelmed when you are gone
Back to the black back to your rock

Looks like a castle in the sand
If only fathers would stick around
But I don't know what it's like to be a man
I don't know what it's like to be a man

credits

from Into the Peace, track released October 29, 2018
Written and produced by Bethia Beadman

Vocals and rhythm guitar - Bethia Beadman
Piano - Ash Bull
Guitar 1 - Duncan de Morgan
Guitar 2, backing vocal and percussion - Mike Mills
Bass - Robin French
Drums - Ed Grimshaw
Sounds - Chris Youd

Vocals recorded by Simon Wall at the Hospital
Band recorded by Tim Lewis at Rockfield
Mike Mills recorded by Jamie Candiloro
Backing vocals recorded by Tom Aykroyd at the Chapel

Mixed by Steve Cooper
Mastered by Doug Shearer

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about

Bethia Beadman London, UK

The Quietus described her as a cross between Maria Callas and Ziggy Stardust. Bethia Beadman' new album 'Into the Peace' has been played on BBC Radio by Robert Elms and Janice Long: Intimate and confessional, the songs emerge from a violent energy. Like the best artists, all Bethia’s life experiences have ended up in her voice – languid, velvety, with a resonant cloak of darkness. ... more

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